When Alfred Sisley created The Bridge at Moret collected in OrsayMuseum, he supported the easel on the other side and he stood on the right side which was slightly lower than the bridge. In this way, he was able to clearly see six apertures, the overlapping roofs as well as the church’s spire from the lower left corner of the bridge. The place beyond the center of the painting about famous cities stood a
bridge at moret 1893[/caption]